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A-Designs 500-Blue Microphone Preamplifier
A-Designs
In recording, there are certain things that you can only know through years of experience, such as which preamp works best on vocals, which one rules on guitar, or what preamp to use if you have a dark-sounding instrument or mic that needs some brightening. With A Designs Audio's EM series preamps you can let the 60 years of combined experience and super tone-sensitive ears of Jon Erickson and Pete Montessi save you years trying eek secrets out of pro engineers and lurking on forums. Each preamp in the series is designed to handle specific recording chores with the remarkable sound quality that A Designs Audio is now famous for. (Read the buzz on the forums, you'll find nothing but raves.) Best of all, you get high-quality audio in a space-saving and affordable package. Custom transformers, the key to a big punchy soundIn solid-state preamp design, the key to a big punchy sound rests in the input and output transformers. (That's where you get what is known as the big iron" sound of the '70s). To ensure top-quality sound, A Designs has their transformers custom-built by Tom Reichenbach of Cine-Mag, whose lineage extends back the days when his father Ed built transformers for Altec-Lansing in the '40s. Not only are the transformer hand-made, they're also ear-made" by Jon (who spent years rebuilding vintage gear for LA studios), and Peter (longtime LA musician and preamp guru), who won't okay a transformer design until they get exactly the sound they're looking for. With the A Designs P1, you can put those ears and 60 years of combined experience to work for you and bring your recordings to new sonic heights.The sound of the EM-BlueThe A Designs EM Series is a twist on the P-1 (based on the best-selling Pacifica). Each color has its own sound. This was accomplished by using different custom wound output and input transformers. The EM-Blue is equipped with a nickel custom-wound output transformer. This emphasizes the highs and produces a much more airy top end tone. When used with a dark -sounding microphone or an alto vocalist, it can produce an absolutely heavenly sound. You will also find this pre useful for recording a snare drum for that crisp crack sound. Plus, you just might want to hear what an electric guitar sounds like going thru nickel transformers (trust us, you do!). So, to get down and dirty with an electric guitar you ll want to use the EM-Blue s DI and 20dB pad, and crank the gain for a slight growl.Solid build quality and functionality The A-Designs EM-Blue features a 1/4-inch Hi-Z direct inject input for instruments, switches for 48-volt phantom power (with LED indicator), -20dB pad and phase reversal, 62dB of gain, a large aluminum cast knob for gain, custom-wound input and output transformers, two thumb screws for easy installation, and an extremely solid build quality. Most of all, the EM-Blue is another stellar example of the A Designs Audio mission: pro audio made affordable, and quali
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A-Designs 500-Red Microphone Preamplifier
A-Designs
In recording, there are certain things that you can only know through years of experience, such as which preamp works best on vocals, which one rules on guitar, or what preamp to use if you have a dark-sounding instrument or mic that needs some brightening. With A Designs Audio's EM series preamps you can let the 60 years of combined experience and super tone-sensitive ears of Jon Erickson and Pete Montessi save you years trying eek secrets out of pro engineers and lurking on forums. Each preamp in the series is designed to handle specific recording chores with the remarkable sound quality that A Designs Audio is now famous for. (Read the buzz on the forums, you'll find nothing but raves.) Best of all, you get high-quality audio in a space-saving and affordable package. Custom transformers, the key to a big punchy soundIn solid-state preamp design, the key to a big punchy sound rests in the input and output transformers. (That's where you get what is known as the big iron" sound of the '70s). To ensure top-quality sound, A Designs has their transformers custom-built by Tom Reichenbach of Cine-Mag, whose lineage extends back the days when his father Ed built transformers for Altec-Lansing in the '40s. Not only are the transformer hand-made, they're also ear-made" by Jon (who spent years rebuilding vintage gear for LA studios), and Peter (longtime LA musician and preamp guru), who won't okay a transformer design until they get exactly the sound they're looking for. With the A Designs P1, you can put those ears and 60 years of combined experience to work for you and bring your recordings to new sonic heights.The sound of the EM-Red The A Designs EM Series is a twist on the P-1 (based on the best-selling Pacifica). Each color has its own sound. This was accomplished by using different custom wound output and input transformers. The EM-Red comes with a 50/50 output transformer. A Designs Audio added a little kick to this one by changing the input transformer as well. The result is more up front mids ! You ll find this very useful when recording acoustic guitar with a condenser microphone. You can also use the EM-Red for recording toms, both rack and floor. As with all the A Designs Audio modules, the EM-Red is VPR Alliance compliant, and features a 48V phantom power switch, DI input, and phase reversal switch. Solid build quality and functionality The A-Designs EM-Red features a 1/4-inch Hi-Z direct inject input for instruments, switches for 48-volt phantom power (with LED indicator), -20dB pad and phase reversal, 62dB of gain, a large aluminum cast knob for gain, custom-wound input and output transformers, two thumb screws for easy installation, and an extremely solid build quality. Most of all, the EM-Red is another stellar example of the A Designs Audio mission: pro audio made affordable, and quality without compromise.Requires the A Designs R52 (product # 180038) dual slot external power supply (See access
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A-Designs 500-Silver Microphone Preamplifier
A-Designs
In recording, there are certain things that you can only know through years of experience, such as which preamp works best on vocals, which one rules on guitar, or what preamp to use if you have a dark-sounding instrument or mic that needs some brightening. With A Designs Audio's EM series preamps you can let the 60 years of combined experience and super tone-sensitive ears of Jon Erickson and Pete Montessi save you years trying eek secrets out of pro engineers and lurking on forums. Each preamp in the series is designed to handle specific recording chores with the remarkable sound quality that A Designs Audio is now famous for. (Read the buzz on the forums, you'll find nothing but raves.) Best of all, you get high-quality audio in a space-saving and affordable package. Custom transformers, the key to a big punchy soundIn solid-state preamp design, the key to a big punchy sound rests in the input and output transformers. (That's where you get what is known as the big iron" sound of the '70s). To ensure top-quality sound, A Designs has their transformers custom-built by Tom Reichenbach of Cine-Mag, whose lineage extends back the days when his father Ed built transformers for Altec-Lansing in the '40s. Not only are the transformer hand-made, they're also ear-made" by Jon (who spent years rebuilding vintage gear for LA studios), and Peter (longtime LA musician and preamp guru), who won't okay a transformer design until they get exactly the sound they're looking for. With the A Designs P1, you can put those ears and 60 years of combined experience to work for you and bring your recordings to new sonic heights.The sound of the EM-SilverThe A Designs EM Series is a twist on the P-1 (based on the best-selling Pacifica). Each color has its own sound. This was accomplished by using different custom wound output and input transformers. The EM-Silver has a custom wound steel output transformer, which outputs a darker sound than the P-1, EM-Red, and EM-Blue, great for adding body to thin vocals. The EM-Silver is also very good match with ribbon microphones, which makes sense because steel transformers were widely used in the early days of recording and broadcast along with ribbon microphones. The sound/color/flavor you ll receive depends which ribbon mic you have. With today s influx of ribbon microphones there is a wide choice of character range available for you to determine which tone you are looking for or need. Another feature of the EM-Silver is a DI (direct inject) for use with electric instruments. Thanks to the DI and its darker sound, the EM-Silver is a great pre for bass guitar and keyboards. Also, you may like to try the EM-Silver (depending on microphone) for your kick when recording drums! All in all, the Silver is a very versatile tool.Solid build quality and functionality The A-Designs EM-Silver features a 1/4-inch Hi-Z direct inject input for instruments, switches for 48-volt phantom power (with LED
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A-Designs MP-1A Mono Tube Microphone Preamplifier
A-Designs
There aren't many companies that can design and build one preamp that engineers and producers feel that they could make an entire record with. A Designs Audio has built two. The all-tube MP-1A and the solid-state Pacifica, but we're here to talk about the MP-1A (you can check out the Pacifica later). With A Designs Audio's MP-1A, not only do you get a never-ending sweetspot and sonic majesty, it also gets top marks in "works and plays well with others." Meaning, while some preamps are picky when it comes to mics, the MP-1A welcomes all and sounds great no matter what you put through it ribbon, dynamic, or condenser. Better still, while the MP-1A falls squarely into the realm of "color" preamp, it never overwhelms a track with too much character. If you've been searching for an all-tube preamp with a rich bottom end, sweet and airy top end and enough tonal versatility to record all of your tracks without over-colorization at mixdown, think A designs Audio MP-1A.A Designs Audio MP-1A, First Take: True tube in, tube out mono mic preamp World-class custom-wound transformers Two "tone" switches, give you four unique tone signatures. Audiophile quality and components and a price below comparable boutique preampsTrue tube mic preampThe MP-1A is a classic 1-channel tube mic pre based on the celebrated MP-1. It offers the same true tube in / tube out design, plus the same quality that made the original MP-1 and MP-2 the buzz of the professional audio industry. New features include a -20 db pad switch, two selectable tone switches for four possible tones, plus 60db of gain (perfect for next generation ribbon mics) Classic features include a world-class Cinemag input transformer coupled with a custom wound output transformer, delivering the low noise and top quality sound that you demand from a high-end, high-priced mic-pre. Additional features include a balanced combo XLR/1/4 inch input, a true VU meter, phantom power and phase reverse switches, and a front panel line level input jack.Custom transformers, the key to punchy sound and quiet operationA lot of preamp builders believe that transformers are things to be avoided, but in reality, they're responsible for the sound we prefer in rock/pop music. The trick is finding good ones. Bad transformers can ring or decimate the upper frequency range, but when a transformer is properly designed and built, such as those by Cinemag (who's lineage includes making transformers for the top consoles in recording history) they are a thing of beauty, delivering a full, punchy sound like no other. Plus, thanks to the superior electronic isolation of transformers, noise and hum is reduced. That's why you can overdrive an MP-1A and get rich, milky distortion without the extra noise. The transformers you find in A Designs Audio's preasmps are hand- and "ear-" built by Tom Reichenbach of Cinemag. Tom is the son of the designer of the lege
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A-Designs P1 Single Channel Microphone Preamp Module
A-Designs
In recording, there are certain things that you can only know through years of experience, such as which preamp works best on vocals, which one rules on guitar, or what preamp to use if you have a dark-sounding instrument or mic that needs some brightening. With A Designs Audio's EM series preamps you can let the 60 years of combined experience and super tone-sensitive ears of Jon Erickson and Pete Montessi save you years trying eek secrets out of pro engineers and lurking on forums. Each preamp in the series is designed to handle specific recording chores with the remarkable sound quality that A Designs Audio is now famous for. (Read the buzz on the forums, you'll find nothing but raves.) Best of all, you get high-quality audio in a space-saving and affordable package. Custom transformers, the key to a big punchy soundIn solid-state preamp design, the key to a big punchy sound rests in the input and output transformers. (That's where you get what is known as the big iron" sound of the '70s). To ensure top-quality sound, A Designs has their transformers custom-built by Tom Reichenbach of Cine-Mag, whose lineage extends back the days when his father Ed built transformers for Altec-Lansing in the '40s. Not only are the transformer hand-made, they're also ear-made" by Jon (who spent years rebuilding vintage gear for LA studios), and Peter (longtime LA musician and preamp guru), who won't okay a transformer design until they get exactly the sound they're looking for. With the A Designs P1, you can put those ears and 60 years of combined experience to work for you and bring your recordings to new sonic heights. A single, affordable channel of the incredible Pacifica for your A Designs lunchboxAccording to A Designs owner Peter Montessi, the P-1 was created in order to make the sound of the Pacifica, which has garnered nothing but rave reviews, accessible to more people. For those not familiar, the Pacifica has the sound of the already legendary Quad Eight console as its inspiration and that's a very important distinction. The P-1 and Pacifica are NOT clones of the Quad Eight. They have a sound all their own that's reminiscent of the Quad Eight (used to mix Pink Floyd's The Wall and Boston's "More Than a Feeling"), and according to Quad Eight owners, the Pacifica sounds better. Like the Pacifica, the P-1 rules on guitars, is excellent for vocals and makes acoustic guitars shimmer. It's one of the most versatile preamps there is. This affordable high-end solid-state pre features 48V switchable phantom power, -20dB pad switch, and phase reversal. Custom wound output and input transformers, and direct inject hi-Z input for instruments. As with all A Designs Audio Modular preamps, the P-1 is VPR Alliance compliant.Requires the A Designs R52 (product # 180038) dual slot external power supply (See accessory box below).
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A-Designs Pacifica Solid State Stereo Microphone Preamplifier
A-Designs
Consider the A-Designs Pacifica solid state stereo microphone preamplifier if you're ready for your first really good preamp-or the last one you may ever need. How often in life do you encounter someone or something that no one has anything bad to say about? We haven't met that someone yet, but the something is the A Designs Audio Pacifica solid state, dual-channel preamp. This Tec Award nominated beauty has won more hearts than Jennifer Garner, and has, if you'll excuse the pun, garnered more praise from engineers and producers than just about any other preamp to hit the streets in a long, long time. A Designs Audio Pacifica, First Take: 2-channel, solid state preamp with 2 x front-panel hi-Z inputs Custom-wound input and output transformers Captures the sound quality of the legendary Quad Eight console but with more presence and high end Balanced XLR I/O, phase reversal, -20dB pad, +48V phantom powerThe Sound of the 70s RebornThe 1970s was a time of great music and great change in pro audio a golden age if you will. The introduction of solid state electronics led to an explosion in development and a very different sound than the tube gear of previous decades. The recording console in a high-end 1970s studio was likely a Neve, API, or Quad Eight. These companies set the standards for audio quality with a unique sound firmly imprinted on the popular recordings of the era. Even though the Quad Eight mysteriously faded from view, many engineers firmly believe that the Quad eight Ventura, Coronado, and Pacifica consoles were the very best sounding of the big three. Boston s More Than a Feeling and Pink Floyd s The Wall were mixed on a Quad Eight!But rather than just crank out another clone, A Designs Audio s Peter Montessi and audio designer Jon Erickson (who spent years bringing vintage gear back to life for LA studios), added their own touch to bring the preamps of the glory days to serve the present-day needs of the recording world. The result is the Pacifica, a fabulous-sounding preamp the captures the heart and sole of the California and takes the LA sound a step further.Custom Transformers, the Key to a Big Punchy SoundIn solid-state preamp design, the key to a big punchy sound rests in the input and output transformers. (That's where you get what is known as the "big iron" sound of the '70s). To ensure top-quality sound, A Designs has their transformers custom-built by Tom Reichenbach of Cine-Mag, whose lineage extends back the days when his father Ed built transformers for Altec-Lansing in the '40s. (Ed Reichenbach was also one of the designers of the Quad Eight console on which the Pacifica is based.) Not only are the transformer hand-made, they're also ear-made" by Jon and Peter, who won't okay a transformer design until they get exactly the sound they're looking for. After extensive listening tests and redesign after redesign, they finally found the sound they were looking for. And herein
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Ableton Suite With Live 7
Ableton
The Ableton Suite includes not only Live 7, the latest version of the award-winning music creation software, but 8 virtual instruments as well. These include Sampler (sampler), Operator (frequency modulation synth), Electric (classic electronic piano emulator), Tension (physical modeling string synth), Analog (vintage analog synth emulator), Drum Machines (classic drum machines sounds), Session Drums (acoustic drums), and Essential Instrument Collection 2 (wide range of acoustic and electric pianos, guitars, bass, drums, orchestral instruments, and more).Live 7 One of the ways Ableton Live software is an advantage to its users, especially in the live setting, is it's two main views which allow you to do all your work within a single application. The Session View is essentially a musical scratch pad. You can work out new ideas and improvise in a free and easy environment. Each cell in the Session View grid can hold a recording, MIDI file, or any other musical idea, whether they're recorded on the spot or dragged in from the browser. Then you can play your ideas in any order or any time you wish. The Arrangement View takes a more traditional, timeline-based approach to multitrack recording, MIDI sequencing, and other music production tasks. It will record all your actions as you improvise in the Session View, allowing you to edit them whenever you like. Either view you use is simple and basic enough to make your tasks simple and efficient, which is especially useful during a live performance.Elastic Audio With Live 7, you can automate the tempo and it will adjust the music, drum loops, multitrack creations - whatever you add - for you. Record it at whatever speed you're comfortable with, and then play it back until you find the pace you're intending to use it at. Apply a variable amount swing or use Live's Warp Marking function to arbitrarily adjust beats within a loop or audio file. This makes it easier to match music to the hit points or key frames if imported video, or fix timing errors, and with the Auto Warping feature, you can drag in an audio file and it will automatically be assimilated to the tempo you're working in. This makes Abelton Live 7 a great ally for DJs, soundtrack producers, and every day musicians alike.Uninterrupted Creative Flow The drag-and-drop interface lets you experiment, browse and preview audio files at the project tempo, in realtime, so you can record perfectly cut loops, add effects, and mix and match audio without stopping the music. You'll also get full support for your favorite VST and AU effects and instruments. Utilize quantized loop recording to go straight from recording into looped playback by simply hitting a button. To help uncomplicate things when you're working with a large quantity of effects, instruments, and numerous tracks, Live has a Freeze function that keeps things moving while you continue experimenting with your editing and automation. For Studios Live 7 is a wonde
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Access Virus TI Desktop Synth/Controller
Access
The Access Virus TI Desktop Synth/Controller features include greatly increased polyphony, 2 new oscillator types, a per-patch programmable arpeggiator, 16x2 delay/reverb fx, embedded singles in multimode, and much more. The Virus TI Polar links to your computer with VIRUSControl, a companion software product that ports the hardware synth into a host sequencer for use as a sample-accurate VST/AU instrument, simultaneously offering 2-way audio and MIDI connectivity, control surface functionality, editor and librarian functions, and more.The First Totally Integrated Synthesizer A scalable USB link connects the VIRUS to a Mac or PC for total integration of synth and studio. The VIRUSControl plug-in automatically detects and connects the synth, ensuring a hassle-free configuration every time.From inside a host application, the plug-in enables the new VIRUS hardware to appear as a multichannel VST/AU soft-synth with up to 4 sub-mixes (or 2X stereo). Access' proprietary driver technology makes VIRUS TI the world's first hardware synthesizer with sample-accuracy timing and a delay-compensated audio/MIDI connection.Seamless interconnectivity also provides a real benefit in the software sequencer environment. All multitimbral sounds and settings used for a project are stored within it with the plug-in, for snapshot total recall plus editor and librarian functions with no SysEx or 3rd-party software hassles.The new VIRUS hardware is also well-equipped to capitalize on the power of Total Integration. With 24-bit 192KHz balanced analog, S/PDIF I/O and MIDI in and out ports, the new VIRUS is well-suited for use as the main audio and MIDI I/O center for your entire rig. These functions are especially practical for the laptop studio, offering an unmatched range of features and capabilities from one product.Additionally, a new Remote Mode allows the VIRUS hardware to become a control surface for any MIDI-capable device or software, mapping each of the 33 knobs to a specific MIDI message. TI ships with a great selection of templates and includes 32-user memories for custom controller maps. It's a powerful addition that greatly increases the value of the synth's studio footprint.The Legendary Sound of Access: Evolved Of course, TI is still a VIRUS, with all the soul of its legendary predecessors, but for Total Integration, the power and performance of the synth engine have been taken to higher extremes, thanks to a freshly optimized core which delivers unprecedented performance. For starters, polyphony is more than doubled, to 80 voices under average conditions.And the sound? Phenomenal! Alongside the award-winning VIRUS oscillator models, 2 completely new types have been added. First is the real Wavetable oscillator model. This unique algorithm can blend waves to create evolving motion or switch between them to create gritty lo-fi textures.The Amazing HyperSaw model can generate up to 9x the number of saws without using 9x the required polyphony.
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Accugroove Bill Dickens Signature 212 Bass Cabinet 4 ohm
Accugroove
The Bill Dickens 212 is like a standard Accugroove cab, but with customized speakers and circuitry built to handle the extreme levels of punishment dealt out by the Buddha. It brings together 2 - 12" woofers, an 8" midrange, and 2 high-frequency tweeters in one unique, 3-way bass cab. The Bill Dickens 212 has the same premium construction as other Accugroove cabs, with each driver housed in its own individual enclosure specifically tuned for optimal response. Accugroove uses premium 3/4" void-free plywood with traditional dado and rabbet joints. It also has the same steel vibration-free grille; self-resetting protection circuit for midrange and high-frequency drivers; stackable locking corners; comfortable recessed handles; reliable 1,000W crossover circuit; and removable casters, but has only 2 Speakon jacks for higher power handling.
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Accugroove Bill Dickens Signature Sub Bass Cabinet 4 ohm
Accugroove
The Bill Dickens Signature Sub applies Accugroove engineering to a subwoofer customized to handle the extreme levels of punishment dealt out by the Buddha. It brings together 2 - 12" woofers in a unique sub that goes all the way down to 28Hz! The Bill Dickens Sub has the same premium construction as other Accugroove cabs, with each driver housed in its own individual enclosure specifically tuned for optimal response. Accugroove uses premium 3/4" void-free plywood with traditional dado and rabbet joints. It also has the same steel vibration-free grille; stackable locking corners; comfortable recessed handles; and removable casters, but has only 2 Speakon jacks for higher power handling.
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Accugroove El Whappo Bass Cabinet 4 ohm
Accugroove
Physically and sonically the Accugroove El Whappo bass cab is big. It's got more moxie and mojo than most standard backline rigs. It can easily replace your 8x10 or multi-cab stack but probably weighs less (only 88 lbs.). The grandaddy of Accugroove's unique four-way cabs, the El Whappo brings together a 15" subwoofer, 12" woofer, 6" midrange, and 2 high-frequency tweeters in one cab.Accugroove uses custom, lightweight neodymium-magnet speakers, and houses them in their own individual enclosure specifically tuned for optimal response. Every panel in an Accugroove cabinet is constructed from premium 3/4" void-free plywood using traditional dado and rabbet joints. Each cab has lots of other quality features: steel vibration-free grille; self-resetting protection circuit for midrange and high-frequency drivers; stackable locking corners; comfortable recessed handles; reliable 1,000W crossover circuit; 2 sealed 1/4" jacks; 2 Speakon jacks; and removable casters.
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Accugroove Tri110L Bass Cabinet 8 ohm
Accugroove
The Accugroove Tri110L is for players looking for incredibly accurate and hi-fi sound in a 1x10 cab. The Tri110L brings together a 10" woofer, a 6" midrange, and 2 high-frequency tweeters in one unique, 3-way bass cab.Accugroove uses custom, lightweight neodymium-magnet speakers, and houses them in their own individual enclosure specifically tuned for optimal response. Every panel in an Accugroove cabinet is constructed from premium 3/4" void-free plywood using traditional dado and rabbet joints. Each cab has lots of other quality features: steel vibration-free grille; self-resetting protection circuit for midrange and high-frequency drivers; stackable locking corners; comfortable recessed handles; reliable 1,000W crossover circuit; 2 sealed 1/4" jacks; 2 Speakon jacks; and removable casters.
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Accugroove Tri112L Bass Cabinet 8 ohm
Accugroove
The Accugroove Tri112L is for players looking for incredibly accurate and hi-fi sound in a 1x12 cab. The Tri112L brings together a 12" woofer, a 6" midrange, and 2 high-frequency tweeters in one unique, 3-way bass cab.Accugroove uses custom, lightweight neodymium-magnet speakers, and houses them in their own individual enclosure specifically tuned for optimal response. Every panel in an Accugroove cabinet is constructed from premium 3/4" void-free plywood using traditional dado and rabbet joints. Each cab has lots of other quality features: steel vibration-free grille; self-resetting protection circuit for midrange and high-frequency drivers; stackable locking corners; comfortable recessed handles; reliable 1,000W crossover circuit; 2 sealed 1/4" jacks; 2 Speakon jacks; and removable casters.
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Accugroove Tri115L Bass Cabinet 8 ohm
Accugroove
The Accugroove Tri115L is for players looking for incredibly accurate and hi-fi sound in a 1x15 cab. The Tri115L brings together a 15" woofer, a 6" midrange, and 2 high-frequency tweeters in one unique, 3-way bass cab. Combine with the Tri112L for a hi-fi stack to play the big gigs with!Accugroove uses custom, lightweight neodymium-magnet speakers, and houses them in their own individual enclosure specifically tuned for optimal response. Every panel in an Accugroove cabinet is constructed from premium 3/4" void-free plywood using traditional dado and rabbet joints. Each cab has lots of other quality features: steel vibration-free grille; self-resetting protection circuit for midrange and high-frequency drivers; stackable locking corners; comfortable recessed handles; reliable 1,000W crossover circuit; 2 sealed 1/4" jacks; 2 Speakon jacks; and removable casters.
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Accugroove Tri210L Bass Cabinet 4 ohm
Accugroove
The Accugroove Tri210L is for players looking for incredibly accurate and hi-fi sound in a 2x10 cab. The Tri210L brings together 2 - 10" woofers, a 6" midrange, and 2 high-frequency tweeters in one unique, 3-way bass cab.Accugroove uses custom, lightweight neodymium-magnet speakers, and houses them in their own individual enclosure specifically tuned for optimal response. Every panel in an Accugroove cabinet is constructed from premium 3/4" void-free plywood using traditional dado and rabbet joint. Each cab has lots of other quality features: steel vibration-free grille; self-resetting protection circuit for midrange and high-frequency drivers; stackable locking corners; comfortable recessed handles; reliable 1000W crossover circuit; 2 sealed 1/4" jacks; 2 Speakon jacks; and removable casters.
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Acme TH147NP Siren Whistle
Acme
Sometimes known as the cyclist's road clearer, this unmistakable sound, introduced in 1895 and patented in the same year, still finds numerous uses. From tribal dances to marine signalling, this complex whistle is made with a watchmaker's precision.
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Adams Professional Series Timpani 23 Inch
Adams
Adams copper bowls are press formed to maintain even thickness throughout the kettle. Hammering increases each drum's frequency range for a clear, pure tone. Tension mechanism is mounted outside the kettle allowing maximum unobstructed tonal clarity. Easy to operate, 2-way wheel brakes keep wheels from both turning and swiveling. Pedal system is a specially designed balanced spring mechanism. Tuning gauges are standard on all professional timpani.
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ADS Tech RedRover Audio Software Remote Control
ADS Tech
RedRover, RedRover, when it's time to record, this compact unit let's you take over...control that is. Now you can do your tracking and control any number of tracks without even looking at the computer monitor, because the DAW controls you use most frequently are all at your fingertips on this convenient remote controller. With the included 10-foot USB cable (and optional USB or extension cable) you'll have even more freedom to be creative where you feel comfortable and not be stuck in front of your desk. With the RedRover, guitarists no longer have to fear picking up interference from the monitor and drummer's can spread their wings to the other side of the room and still control their music software as if they were sitting in front of the computer. Even if you don't have a complicated setup, you will want to keep RedRover handy for quick and easy transport and track controls. It has Cue and Metronome buttons, master and track volume knobs for level control, track select knob, and an LCD screen that shows you the current session or track you are working on. It also has large transport controls for direct control, and level meter that displays decibel readings during playback and recording, as well as foot pedal for more convenience. Once you start using the Red Rover remote control, you'll wonder how you ever got along without it.
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Aguilar AG 500 Dual Channel Bass Head
Aguilar
The Aguilar AG 500 Dual Channel Bass Head combines dual preamps and Class A gain stages and a lightweight 500-watt MOSFET Class D power section. Single input, with 2-channel operation. Channel one provides clean, full tone with the flexibility of a 4-band active EQ section. Channel 2 features a passive EQ section and a versatile overdrive, adjustable for everything from vintage tube grit to full-on dirt. Effects loop includes a push/pull send pot for line or instrumental level, and a push/pull return pot for parallel or series operation.The Aguilar AG 500 Head includes 2 Speakon and 2 - 1/4" outputs, with XLR balanced D.I. out plus pre- and post-EQ switches. Equipped with side handle and removable rack ears. Includes footswitch for channel select and mute. 500 watts RMS at 4 ohms. 17 lbs.
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Aguilar AG 500SC Single Channel Bass Head
Aguilar
Combine 500 watts of power with a 4 band active EQ and you have an amp for any style of music and any size venue. With a blendable FX loop, pure sounding D.I., and tuner out this versatile head has all of the professional features without the price.
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